La Maestà Rucellai, o Madonna Rucellai, fu invece commissionata al pittore senese Duccio di Buoninsegna (1255-1318) dalla Confraternita dei Laudesi di Firenze, nel 1285. For those who enter that room the overview of the three impressive works is striking and moving. Part of Cimabue’s importance comes from the fact that he was Giotto’s teacher. The Uffizi displays in a single room three imposing Maestà (i.e. Fu commissionata a Cimabue dai monaci vallombrosani per ornare l'altare maggiore della Chiesa di Sant a Trinità a Firenze. Trinità Madonna (c. 1290); and the Kiss of Judas at Scrovegni Chapel (1304–06), Giotto di Bondone. “Virgin Mary sitting on a throne”) painted between the end of the 13th and the beginning of the 14th centuries by three preeminent masters of the time: Duccio, Cimabue and Giotto. Maestà di Santa Trinit ... Cimabue and Giotto di Bondone. This work established a style that was followed subsequently by numerous artists, including Duccio di Buoninsegna in his Rucellai Madonna (in the past, wrongly attributed to Cimabue) as well as Giotto. Cimabue, painter and mosaicist, the last great Italian artist in the Byzantine style, which had dominated early medieval painting in Italy. Cimabue, Maestà di Santa Trinita, 1290-95.Particolare. La Maestà di Santa Trinità è una tempera su tavola che misura 385 x 223 cm, databile tra il 1280 e il 1290. Kiss of Judas at Scrovegni Chapel (1304–06), Giotto di Bondone. Duccio. The throne is similar to the Maestà painted by Cimabue in the Basilica of San Francesco di Assisi (1288–1292). This spectacular and innovative Maestà that Cimabue created would certainly have brought new attention and prestige to the Vallombrosan at Santa Trinita. We believe that the brilliant histories of art belong to everyone, no matter their background. Among his surviving works are the frescoes of New Testament scenes in the upper church of S. Francesco, Assisi; the Sta. The Santa Trinita Maestà a painting by the Italian medieval artist Cimabue, dating to c. 1290–1300. In the same period (c. 1280), Cimabue painted the Maestà, originally displayed in the church of San Francesco at Pisa, but now at the Louvre.  Cimabue, also known as Bencivieni Di Pepo or in modern Italian, Benvenuto Di Giuseppe, was an Italian painter and creator of mosaics from Florence. This work established a new canon for the Madonna with Child theme, which was subsequently used by other painters, such as Duccio di Buoninsegna in his Rucellai Maestà. Cimabue introduced three-dimensional designs using the Romanesque approach, with Byzantine … Originally painted for the church of Santa Trinita, Florence, where it remained until 1471, it is now housed in the Uffizi Gallery of Florence, Italy (in 1810 it passed into the Galleria dell'Accademia Fiorentina and, in 1919, into the Uffizi). Madona na prestolu - Maestà (italijansko: Maestà di Santa Trinita) je slika italijanskega srednjeveškega umetnika Cimabue, ki je nastala okoli leta 1280-1290.Prvotno poslikana za cerkev Santa Trinita v Firencah, kjer je ostala do leta 1471, zdaj je nameščena v Firenški galeriji Uffizi Cimabue Born Bencivieni di Pepo (Benvenuto di Giuseppe) 1240 Died 1302 Nationality Italian Movement Naturalism Field Painting Works View Complete Works Cimabue (1240-1302) was a master Florentine painter and mosaicist, who was a pioneer in the artistic movement towards naturalism in his time. Giotto di Bondone was a Florentine painter and architect who is generally considered to be the first great Renaissance painter.